Thursday, June 12, 2014

Project Breakdown: SATO


Client: Sato America
Agency: Red Moon Marketing
Producer: Tracy Morgan
Production: Out of Our Minds Studios
Sato America and Red Moon Marketing approached Out of Our Minds to create 3 animations for their new printer product, the CL4NX. The 3 animated pieces would consist of 2 teasers to drum up industry interest and a "Prospecting" video designed to give users a taste of the many cutting edge features of the printer unit. This would all lead to a final interactive app for use by the Sato sales force utilizing animation and assets created by the OOOM team. Sato expressed the desire for a space theme to the animations and let OOOM run with the idea from there. Out of Our Minds began with exhaustive photography of the prototype unit when we learned CAD files would not be made available in time for the launch date of the animations. From the ground up OOOM built the printer inside and out in 3d. Several of the internal workings were rigged for animations that would be in the final interactive piece. All animation and compositing was executed using Lightwave 3d and After Effects.

 Storyboards by: Keith Hobgood

While the main printer unit was being modeled, Keith created storyboards to nail down the action SATO wanted in the piece. Along with the storyboards, Keith also came up with several designs for the landing pad that the printer came to rest on.


Landing Pad concepts by: Keith Hobgood

At this point the printer modeling was wrapping up and Rebecca Jones took on the task of creating the selected landing pad concept in 3d. Because the landing pad would have to theoretically function, Rebecca made sure all the parts fit together once the landing pad collapsed into its final transformed shape.



Interior and Exterior views of the SATO industrial printer model. Remember: this was created from scratch from reference photos. No CAD involved. 
Printer model by: Rebecca Jones, Camille Knouff, and Derek Cernak


Landing Pad model by: Rebecca Jones

The dramatic, cloudy sky that surrounded the action of the Prospecting video was a composite of various cloud shots taken by staff members at OOOMS. We basically went through all of our reference photos and vacation pictures. Below you can see skies from the Smoky Mountains to Hawaii and how they combined together to form the finished sky that surrounded the animated scene. 


Sky composite by: Danny Oakley


With the modeling and environment complete, the next step was to move to animation. Animation was fairly straightforward for the Prospecting video as we never get into the details of the inner workings of the printer. That would be saved for the interactive piece. The printer and landing pad were keyframe animated. Having the camera controlled by a rotating null and targeting an animated focal point ensured smooth rotations around the printer and the ability to land with just the right framing. 




As the animation was being worked on, we began finalizing the design and animation of the holographic panels that appear alongside the printer. These panels were designed to give bite-sized information about the key features of the printer. Designed in Adobe Illustrator, the panels were brought into Adobe After Effects where they were broken into layers and animated.


Once the animation was completed, it was rendered in several passes to make easy work of the final compositing pass that needed to happen. The renders were taken into Adobe After Effects where final touches like dust, lens flares, and the holographic information panels were added.



Below you can see the interactive piece that was developed for SATO's sales force. Created specifically to run on the Samsung Galaxy Note, this piece is defined as "the closer." It delves into the inner-workings of the printer and gives the sales force an added wow factor to their presentations. 



Music for video: "Edumantione Ventus" by Kevin Bryce (http://kevinbryce.ca)



Thursday, December 26, 2013

Christmas Time

Every year we always talk about sending out some sort of animated Christmas Card to our friends and clients. That is usually met with a "yeah, but" because we're just so busy. Well, this year we finally decided to do it. It's a fun mixed-media piece that uses miniature sets shot on a Canon 5d mkII and CG animated characters. Everybody really worked hard to get this thing done in the 3 weeks we had to do it and I have to say we couldn't be prouder. We'll post a "making of" soon to show a little of the behind the scenes.


Out of Our Minds Christmas Short from Out of Our Minds Studios on Vimeo.

Tuesday, November 12, 2013

Winner! Winner! Chicken Dinner!

Well, we found out we won the Vimeo Weekend Challenge for the week of Halloween! Pretty amazing, because I know they get a ton of entries for these challenges. You can see the video below.



Created for the Weekend Challenge: Pole Dancer from Out of Our Minds Studios on Vimeo.


Make sure to watch the breakdown of the ending shot. You can find it on our page.

Thanks!

Tuesday, November 5, 2013

Peanut

"Peanut" - Created for the Weekend Challenge: Scavenger Hunt from Out of Our Minds Studios on Vimeo.


We've been having a lot of fun with Vimeo's weekend challenges. Its a good break from the day to day and forces us into a little bit of a film making improv class. This week our own Rebecca Jones answered the call a put together a heart-warming piece based on Vimeo's requirements for the week. We plan on doing as many of these as we can between projects and if anything else, gives us some content for the blog. Take a look and tell us what you think.

For more on what exactly the Vimeo weekend challenges are, hit up this link: http://vimeo.com/groups/weekendchallenge

Thursday, October 4, 2012

40 is the new 20!

Big thanks to the crew here at the studio for remembering my birthday yesterday. As you can see, my area was all dolled up the in the usual turning 40 accoutrements. The day was capped with a great chocolate cake. Don't feel bad if you didn't get me anything for my birthday, a donation has been made in your honor and you'll be receiving an invoice in the mail.



Trapzilla Case Study: Animatic

Once we had the Trapzilla script approved we moved to the storyboard phase. Storyboards are great to help a client visualize a script and see where our heads are at. The one thing that is hard to get across with storyboards is timing. That's where an animatic comes in. An animatic can be as simple as dropping the storyboard frames into a timeline or we can add movement and camera moves etc. Below is the Trapzilla animatic. We acted out the parts ourselves, so prepare to be a part of a cinematic journey. Compare what you see here to the finished piece and you'll see how close we stick to an animatic once we have approval.


Trapzilla Animatic Final from Out of Our Minds on Vimeo.

Monday, October 1, 2012

Worst Storyboards Ever!

Yes, this is how we spend our days sometimes. If you haven't seen the original inspiration for this, please view it here first. We couldn't pass up the chance at relating it to many creatives' everyday lives. Keith Hobgood, our storyboard artist is on the receiving end of some demanding changes from Rebecca Jones, our project manager. Hope you have as much fun watching as we did making.